The Dallas Area Fiber Artists annual exhibition begins tomorrow, July 1. This is the first time I have participated; Marbled Rose and Popcorn Hydrangea are my entries.
Toward the end of April, I chose two flower photos which I had taken long ago. In Photoshop I altered colors of the leaves and backgrounds and found that the conté crayon filter produced some interesting effects. Overall I applied a find edges filter and enhanced that with some outlining by hand. To the rose photo in the background, I also added a medieval-style design.
Then I sent them off to Spoonflower to be printed on a fat quarter of cotton/linen canvas. (In case you haven't discovered Spoonflower, be sure to have a look. In addition to having your own design printed, you can choose from a delightful plethora of designs from others and have them printed on a selection of different fabrics or even on ready-made items, such as pillow covers and curtains.) In one week Spoonflower sent back the printed fabric, and it looked terrific!
That was really only the beginning. My initial plan with to hand embroider all the outlines on the leaves and the flowers, emphasize the centers with French knots and sprinkle some beads about. After hours of work on the hydrangea image, I realized that it would take me way too much time to embroider all the outlines, so I became selective. And when I did the rose, I decided to limit the embroidered outlines to the flower itself. It's actually a bit difficult to see all the embroidery as much of it blends in with the printed image.
I listened to the entire audiobook of Barbara Kingsolver's Pulitzer Prize-winning Demon Copperhead and got a good start on Remarkably Bright Creatures by Shelby Van Pelt during my embroidery sessions. As I said to Mr. C, I don't think there is going to be an embroidered flower picture series. But all in all, I'm pleased with these two.
Mr. C made the frames, and I happened to have just the perfect color of metallic green paint.
Today I took them to CC Young, a beautiful senior living community where DAFA holds their meetings, and where the exhibition is being shown. It was gratifying to already receive compliments on my work while everything was being set up. And I enjoyed chatting with other members about their (very diverse) pieces as they brought them in. Can't wait to see the entire show when I go back for the next DAFA meeting in another week.
