here. I eyed it without much hope for a few weeks and then decided to act. Just a yard of fabric, just some time spent and some dye used, nothing except my own satisfaction riding on the result. The first thing I did was restencil the flowers with a resist, impossible, of course, to align the stencil perfectly with the existing flowers, but ultimately I liked the sort of off-register effect that it created. Then using a very detailed mosaic stencil I went over the entire piece of fabric with thickened blue dye; you can really only see a hint of that in the background. Next, I traced some actual ginkgo leaves and cut stencils of them which I used to screen print both in blue and blue-purple. I followed that with screen printing on the Chinese stencil design that I used on the previous tank top. That color, Black Cherry, made the ginkgo leaves look too pale, so I printed on more in darker shades of the blue and blue-purple. Voilà, it was finished, and I was more than pleased. Of course, the process was not as effortless and straightforward as I just described. Rather it was quite time-consuming and there were a lot of "oh nos!" along the way. (See those little dots of blue? They began as some accidental drips, but ended up, in my opinion, enhancing the design after I decided to sprinkle dots all over.)
And just a note, for anyone interested in screen printing, I've discovered a great material to use as stencil film, rather than freezer paper which has a finite lifespan. I was at JoAnn Fabrics when I wondered if tablecloth vinyl would work. And, yes, it does! I purchased the thinnest vinyl which was less than $3 for a 60" wide yard, so it's a really cheap material, and the resulting stencil can be washed and re-used ad infinitum. It's also extremely easy to cut; in fact, it's necessary to go very easy with the Exacto knife. I used it for the ginkgo leaves as well as recut the squiggly shapes in it, so I think it's a real find.
Friday, November 16, 2012
Thursday, November 1, 2012
This was an unfinished Illustration Friday from two years ago that seemed perfect for this week's theme. What I kept of my original effort was the background landscape, photographed by me on a very foggy day at Queen Wilhelmina State Park in Arkansas, and the old sepia image of the lovely woman. All composed in Photoshop, of course. I used the Topaz Simplify filters on the landscape, and there are a couple of adjustment layers on it to further alter the tone, as there are also on the image of the woman. The moths are from a collection of graphics I have had and used for many years: Broderbund ClickArt 200,000. It's a 14-disc set containing all sorts of images, fonts, photos, and which you can still buy on eBay and the like. These are not hi-res images, but I still find them very useful for everything from making greeting cards to incorporating in montages. Underneath the landscape layer there's also a grey border layer on top of the white background layer. And that's it!