Simple Screenprinting by Annie Stromquist, a Lark Book, is an excellent, user-friendly reference. There were three different shapes which I printed first in a darker green, then mixed with more print paste to give what I hoped would be an echoing color. On top of that I drew the rust squiggle with dye mixed with print paste in a fine wire-tipped squeeze bottle, which, unfortunately, kept snagging on the knit. So I went over it with the same dye mixture in a tjanting (used for applying wax for batik) which worked a bit better but wasn't stellar on close inspection.I let each step dry for a day before proceeding to the next step. Finally I was ready for the violet. My biggest question was if the green shapes – dye mixed with print paste – would resist the violet dye. I brushed on a fairly dark shade of violet mixed with print paste and let it cure for a day.
So here is what I've learned. No 1 is that the particular blue dye I used, which I have had for much longer than recommended, must have lost some of its potency, although I did use it on the previous fish-stenciled top with no problems. Secondly, the dye mixed with print paste did work as a resist, however the second printing of the shapes which was supposed to be much lighter was almost the same color as the first. As to the color change and near disappearance of the squiggle and the flower centers, I have no idea. I'm trying the whole thing again. I know it's supposed to be about enjoying the process as much as the product, but I can't help but be a bit disappointed when the product falls short of what I envisaged. However, this particular product will not be abandoned and perhaps the process of salvaging it will prove more interesting than my original idea. So stay tuned!



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